The Egyptian Hallel and the Lord’s Supper (Psalm 113-118)

The New Testament offers little liturgical help for conducting the Lord’s Supper. This is especially true regarding hymnology. No account of the Lord’s Supper, except the Last Supper itself, connects music and the Supper (Matthew 28:30). Other than the fact that the Jerusalem community praised God as they ate—and presumably this included songs as well as prayers or some mixtue of the two as in chants (Acts 2:46-47), there is no other explicit linkage between the Lord’s Supper and the ministry of music.

However, we are not left without guidance if we take seriously the redemptive-historical trajectory of Israel’s festivals and the future Messianic banquet. We have significant information about the relationship between these meals and the music that surrounded them in the context of both Israel’s table and the future table. This post will look at the musical dimensions of the Passover at the time of Jesus, and my next post will focus on the future table through the lens of the Apocalypse and the Messianic banquet. 

The use of the Psalms has a long history in Christian worship. More specifically, the use of Psalms in connection with the Lord’s Supper is quite prominent. However, my interest is specifically the Psalms that were used in the context of the Passover as a window into the nature of the redemptive celebration that should accompany the Lord’s Supper. As a fulfillment of the Passover, the Lord’s Supper is directly linked to the liturgical assemblies of Israel and thus we should ask the question: What did Israel sing at the Passover?

Psalms 113-118 constitute the Hallel (Praise) of the Jewish festivals. It appears that during the Jewish Passover meal of the first century, Psalms 113-114 were sung before the final meal blessing and Psalms 115-118 were sung after the final blessing. These were most probably the hymns that Jesus and his disciples sang in the context of their Passover (cf. Matthew 26:30; Mark 14:26). The theology of these songs is directly related to the theology of both the Passover and the Lord’s Supper.

Psalms 113-118 are all thanksgiving songs. Israel sang them as thanksgiving for God’s redemptive deliverance of Israel from Egyptian bondage. They remembered and rejoiced over the Exodus. Israel also sang them in anticipation of the Messiah. Every Passover anticipated the Messianic banquet and thus was filled with hope and expectation for the final deliverance of God’s people.

In Psalm 113 Israel is the barren woman whom God has delivered from Egyptian bondage and given fruitfulness in a new land. God’s redemptive work transforms fallen circumstances. God breaks into the hurt and pain of life with new life. He redeems what is lost. The Psalm opens and ends with a “Hallelujah.”

Psalm 114 rehearses God’s redemption of Israel from Egypt. God acted in history to redeem his people. God came near to redeem. Israel is reminded that their situation is the direct result of God’s gracious work, and they are part of God’s story with the whole earth. The earth is awed by what God is doing in Israel, and Israel is overwhelmed with praise.

Psalm 115 reminds Israel that among the nations only they serve the true God while the nations serve idols. Unlike the idols, God reigns over the earth. God is the help and shield of the people of God. God has remembered his people, so Israel remembers and praises Yahweh. Israel remembers that God has always remembered his people and thus they are confident in their relationship with him.

Psalm 116 gives thanks for God’s redemption whereby he saves his people from death. As one Psalmist remembers God’s work for him in his individual life, the congregation of Israel remembers how God saved them from the bondage of slavery. Through the festivals, Israel makes this individual thanksgiving a communal one. At the Passover, then, Israel lifted the cup of salvation and rejoiced in God’s gift of life. Israel ate the “thanksgiving” offering as it sat at table with God and communed with God. This “thanksgiving” Psalm is offered in the context of a thanksgiving sacrifice. The cup and meal are blessed in the context of a communal communion with God.

Psalm 117 invites all nations to share in the praise of God at the meal. It is a universal table—open to all ethnic groups, all nations. The work of God is universal. The nations learn who God is from his faithful love to Israel and Israel invites the nations to seek God at his temple (cf. aliens at Hezekiah’s Passover in 2 Chronicles 30:25). The temple of God is a house of prayer for all nations (cf. Isaiah 56:7; Mark 11:17).

Psalm 118 gives thanks for God’s deliverance. He saved his people from disaster and their king from death. God has made a new day. He has delivered his people because of his steadfast love. Since God has brought deliverance (it is the day he made), the people engage in self-exhortation: “let us rejoice in it.”

Psalms 113-118 inform the theological meaning and mood of the Lord’s Supper. As the new Passover, the Lord’s Supper remembers God’s redemptive work in Christ, celebrates our liberation from sin and death, and praises Jesus who though rejected by some was redeemed by God. Sunday is the day the Lord has made. It is the day of redemption, thanksgiving and celebration. The table needs hymns that rejoice, remember and give thanks for the new day that God has made. The Psalms reflect the mood of thanksgiving, joy and communion that characterize the theology of the Lord’s Supper. In this way, the Passover hymns provide a guide for the church’s own communion hymns and the mood of its table.



9 Responses to “The Egyptian Hallel and the Lord’s Supper (Psalm 113-118)”

  1.   Steven Hovater Says:

    Thanks for calling me into these Psalms tonight! As I read in Psalm 133 tonight, I’m struck first by the call for God’s praise to go on and on in time. Moreover, the alignment of God with the downtrodden is very pronounced here. Perhaps, depending on how much connection we allow ourselves to see here with the Eucharist, we can see in it a way that God is raising up those who are particularly excluded from other kingly feasts. in other words, can the justice theme in this psalm be fairly extended to the Lord’s supper? Just a thought!

    • Avatar of johnmarkhicks  John Mark Hicks Says:

      It seems to me that Passover–and thus Lord’s Supper–declares that Yahweh is the God of the oppressed. Righteousness, justice and peace–the hopeful expectations of Israel–should be experienced at the table of Jesus in the kingdom of God.

  2.   John Kenneth King Says:

    Years ago I heard Robert Webber say that the dirge-like experience of Communion is the Protestant form of the Catholic crucifix. While we are likely repulsed by crosses with the body of Jesus affixed (He’s Resurrected!), we nail him there every week.

    Thanks for consistently reminding us of the celebration trajectory for the deliverance God accomplished. Yes, Jesus died for us, but we are free from the wages of sin. The captives have been set free and now we rejoice!

    Maybe some of our song writers will receive inspiration from these Psalms and write some new hymns for Communion. At least we can hope some song leaders and worship ministers will select hymns of praise and thanksgiving.

    • Avatar of johnmarkhicks  John Mark Hicks Says:

      Jesus died, but that is good news for which give thanks. I think the Eastern church does a much better job, theologically, of investing celebration and joy in the Eucharist (Mystery, as the Eastern church calls it).

  3.   K. Rex Butts Says:

    Thanks for this post. I happen to be teaching on Psalm 118 and preaching on Luke 19.28-40 on Palm Sunday (both texts are the suggested reading in the Revised Common Lectionary) as a call to embrace adn celebrate the good news of the King who brings a kingdom full of salvationa and hope.

    Grace and peace,

    Rex

  4.   Minister Rose Says:

    This article was terrific! I was researching the Hallel Song sung at Passover for a sermon. Thank you.

  5.   bob Says:

    Paragraph 4 is almost a direct quote of Derek Kidner’s ’73 commentary on Psalms, p.401. Is that where it came from?

    • Avatar of johnmarkhicks  John Mark Hicks Says:

      I only see two sentences that are similar in content, and that content is rather well known. There are multiple sources from which that content might be gleaned. As far as I remember that content simply came from my memory. Thanks for noting the similarity.

  6.   Bill Savoy Says:

    I am preparing a lesson for Teen-Agers – Psalm 113 -
    concentrating on verses 7-8. The article clarifies
    verse 9: Israel as a barren woman in Egypt, but
    a fruitful mother in the Promised Land. Whenever
    I take the Lord’s Supper, I remember that the name
    ‘Egypt’ – ‘mitz-ra-eem’ – means ‘a tight place’. As I am risen with Christ, I experience the expansions
    of Heaven.

Trackbacks/Pingbacks

  1. The Lord’s Supper, the Apocalypse and Eucharistic Music « John Mark Hicks Ministries
  2. prophetic worship
  3. Mark 1:1-11 « John Mark Hicks Ministries
  4. Mark 14:12-26 – Sharing the Cup of Suffering « John Mark Hicks Ministries
  5. Return to Blogging; Top Blogs of 2012. « John Mark Hicks Ministries
  6. Five Years of Blogging | John Mark Hicks Ministries

Leave a Reply